The Two Towers video game makes a meal out of these gaps. Time and space are compressed in the gap, and our acceptance of the visual language of cinema is what makes that “work” when we watch it. When you watch The Fellowship of the Ring, the magic of cinematic editing can take the film’s setting from the snowy peak of Caradhras to the entrance to Moria in a single frame. The game also depicts what is happening between the cuts of the film. This is a game that is giving you the opportunity to take control of Aragorn’s body and learn exactly how he does his best orc-killing combos. This is not a game that is selling you on the fantasy of the broad concept of The Lord of the Rings.
The Two Towers leaned into The Lord of the Rings films, not pretending that they were somehow “something else,” but instead putting footage of the film right in the game so that you knew exactly where you were picking up with your favorite characters. For example, the video game Minority Report, also released in 2002, chose to tread some of the same ground as the film, while clearly taking different approaches to certain plot elements to reach roughly the same narrative beats.
The game is unique because it doesn’t try to tell a “side story” or a thematically similar one. Where The Two Towers succeeded where so many others failed, though, is in how it crammed. It’s hard enough to make a video game with relative freedom, let alone within a limited set of concepts that someone else gave you. Developers are handed a pre-baked set of ideas and told to cram them into the framework of a video game. It’s hard as hell to adapt an existing property into a video game. These were games that were functionally about making a little more cash off of some intellectual property, no more, no less.Īnd, look, I get it. In between these low-and-high marks were dozens of middling games like the side-scrolling beat ‘em up Beverly Hills Cop or 1997’s The Crow: City of Angels for the PS1.
Goldeneye 64 defined “social gaming” for an entire generation. The Lion King for the Super Nintendo was an iron-hard challenge that functionally bullied thousands of children. for the Atari was famously overproduced and sold so poorly that it was dumped in a landfill.
PS2 LORD OF THE RINGS TWO TOWERS MOVIE
Movie tie-in games have always been wild cards in the video game economy. This partially has to do with the genre that the game finds itself in. What was so magical about The Two Towers is that the bending of the Lord of the Rings films’ plot to video game tendencies felt both perfectly executed and somehow missed the point of the entire series. Viggo Mortensen would be on the screen, and then he would morph into a lumpy digital Aragorn who you could control, in third-person action gameplay that was a little bit Gauntlet Legends and a little bit Devil May Cry. The game took the strange route of combining live-action footage from the films with in-engine cutscenes and gameplay, stitching these two mediums together “seamlessly” to make it all one thing. Bizarrely, its content was half Fellowship of the Ring and half The Two Towers, but at the time we were willing to accept that. A multiplatform game that first appeared in October of 2002 for the Playstation 2, it was released two months before the film of the same name. Into this fray stepped EA Games’ The Lord of the Rings: The Two Towers. Aragorn, Legolas, and Gimli were left to their own devices. Frodo the Ringbearer and his companion Sam had fled toward the eastern horizon in search of a mountain that could kill a piece of jewelry. We knew that a fellowship of hobbits, men, an elf, and a dwarf had dispersed during the holiday season of 2001. So each Wednesday throughout the year, we'll go there and back again, examining how and why the films have endured as modern classics. 2021 marks The Lord of the Rings movies' 20th anniversary, and we couldn't imagine exploring the trilogy in just one story.
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